The Sculpted Ear

The Sculpted Ear, volume 1, examines the intricate connection between sound and statuary within Western aesthetic thought. Ryan McCormack explores the concept of the sounding statue, an anthropocentric figure that prompts viewers to imagine specific auditory experiences. Rather than viewing these works as static aesthetic objects, the text presents them as events shaped by human hearing, writing, and performance. This scholarly work bridges art history and sound studies to analyze how aurality influences our perception of physical form.

Moving from ancient sculptures like Laocoön to early modern automata and modern figures such as Josephine Baker, the book traces a complex history of auditory engagement. The Sculpted Ear investigates how these objects contribute to modern understandings of sound ontology and reproduction technologies. This volume serves as a significant resource for those studying sculpture, music, and the social aspects of sensory history. It provides deep insights into the blurring lines between music, technology, and the visual arts.